I’m not usually one for superlatives, but the first incarnation of The Loop Show, which took place at the Beacon Arts Building last fall, was one of the most exciting group shows I saw in 2011. Carefully thought out, the show not only had a strong conceptual through line, but also addressed the particularities of the space—women dressed in curator China Adams’ Trash Garments guided viewers up and down the stairs; a large collage of cigarette packets by Robert Larson reflected the stained concrete of the warehouse space; an undulating installation by Anne Heironymous flowed seamlessly into the warehouse architecture —and brought together a group of artists with unique and divergent aesthetics.
Having been rejuvenated and inspired by the first installment, I was truly excited to hear that the show was being re-staged, on a smaller scale, in Chinatown. The Small Loop Show features works by a selection of the same artists, but where the last show highlighted excess and had a freewheeling sense of possibility—the art pieces seemed as if they could actively climb the walls, consume the furniture and possess the whole space—this show addresses material waste in a more personal and introspective manner.
Before visiting the show I had dinner with a friend who is a recent transplant to LA. She summarized her initial impression of Angelino art as “rigorous decorative,” and I can’t think of a better starting place to describe this show. Like last time, the pieces were carefully chosen and create a satisfying flow of material, form, texture and color, allowing the eye to easily move between pieces and make immediate visual comparisons. Though all the pieces use recycled materials (hence the loop of the title) their approaches and internal logic vary widely. From the simple gesture of William Ransom’s wooden sculptures, to Nuttaphol Ma‘s subtly politicized spool, and the large friendly creature created by Elizabeth Higgins O’Connor, the show weaves effortlessly between playful and serious, elegant and goofy.
Neither my eye, nor my mind could settle for too long on any specific piece, but this is the nature of a group show; it is not about the individual pieces, but about building a conversation and, in this case, making critical and cultural space for hand crafted, carefully conceptualized, small foot-print work. Unlike the work from the New Museum’s influential Unmonumental Show, the work does not look like piles of junk, even on first glance, and transcends its “recycled materials” premise. These are beautiful objects that just happen to be “ sustainable.”
The Loop Show does not for a second feel like a lecture or even a call to action—unless you count joyfully pondering as an action–but it surreptitiously criticizes the art world’s excesses. Adams has been working with found materials and confronting our culture’s materialism head on for a number of years. Was it a coincidence that this show opened the same weekend as the Art Platform Los Angeles art fair? Whether purposeful or not, viewing the two events on the same day certainly created a juxtaposition between the mostly slick and commercially viable work of the fair, and the pieces in this exhibition. It is an irony of the art world that though many artists make do with less in the way of material goods, we actively create more stuff for other people to consume and may admire artwork that adds toxins to the air and junk to the landfills. I choose my toothbrush, shampoo, milk, and t-shirts based on how and where they are made–so why not ask that my art be eco-friendly also?
The artists that are in The Loop, casually capture this contemporary trend, and knowingly suggest that, far from being a limiting responsibility, using recycled materials is a creative opportunity and a possible pathway towards rigorously decorative work that is also socially relevant.
The Small Loop Show
The Fellows of Contemporary Arts
970 North Broadway Suite 208 . Los Angeles CA 90012
29 Sep 2012 – 24 Nov 2012.
Call (213) 808 1008 to inquire for gallery hours.